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In 1957, encouraged by Georgia O’Keeffe, artist Yayoi Kusama left Japan for New York City to become a star. By the time she returned to her home country in 1973, she had established herself as a leader of New York’s avant-garde movement, known for creating happenings and public orgies to protest the Vietnam War and for the polka dots that had become a trademark of her work. Her sculptures, videos, paintings, and installations are to this day included in major international exhibitions.
Available for the first time in English, Infinity Net paints a multilayered portrait of this fascinating artist. Taking us from her oppressive childhood in postwar Japan to her present life in the psychiatric hospital where she voluntarily stays—and is still productive—Kusama’s autobiography offers insight into the persona of mental illness that has informed her work. While she vibrantly describes the hallucinatory episodes she experiences, her tale is punctuated by stories of her pluck and drive in making her artistic voice heard. Conveying the breadth and ambition of her own work, Kusama also offers a dazzling snapshot of 1960s and 1970s New York City and her encounters with its artists—she collaborates with Andy Warhol, shares an apartment with Donald Judd, and becomes romantically entangled with Joseph Cornell. Replete with the sense of the sheer necessity within an artist to create, Infinity Net is an energetic and juicy page-turner that offers a glimpse into Kusama’s exhilarating world.- Sales Rank: #1532256 in Books
- Published on: 2012-01-30
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.00" w x 6.13" l, 1.30 pounds
- Binding: Hardcover
- 256 pages
Review
“Like her paintings, veiled with a lively yet chilling surface of dots, [Kusama’s] book evokes the intensity and ‘insanity’ of her life only remotely, through vivid, unsentimental descriptions. . . . Focusing on the facts and employing an impersonal tone, she writes as though she were presenting someone else’s biography rather than her own. In this rather paradoxical way, the book brings us subtly closer to Kusama, who remains, in both her private life and her work, extremely self-absorbed and self-expressive yet stubbornly evasive and mysterious.”
(Art in America)
“There is something restorative, refreshingly sincere, even magical about [Kusama’s] work. It speaks for itself, suggesting that it’s not so much whether she’s an outsider or an insider that matters but how her story dispenses with that distinction altogether.” (Sharon Mizota Los Angeles Review of Books)
“In Infinity Net, esoteric musings are interspersed with art-world gossip, creating an eccentric mix that is part manifesto on artistic form, part juicy tell-all.”
(Bookforum)
“[Infinity Net] reminds us that Kusama’s abiding, driving energy, which has found compelling expression in her work’s love-sexy titillations, despite—or because of—her magnificent obsessions, is and has been the real, central subject of her art.”
(The Brooklyn Rail)
“A fascinating, self-absorbed recitation that spans 70 years.” (ARTnews)
�“Even with its mix of real and created memories, Infinity Net is valuable as it suggests many blind spots in the way official history is constructed, blind spots that can spur art historians to uncover specific historical fragments and destabilize the art-historical status quo. Only within such a context can an artist such as Kusama be fully appraised—and appreciated.” (Women's Art Journal)
About the Author
Yayoi Kusama is a Japanese artist who works in many mediums and is�the recipient of numerous honors, including the Praemium Imperiale. She is the author of Hustlers Grotto of Christopher Street, among other books. Ralph McCarthy is a literary translator whose work includes Dazai Osamu’s Self Portraits and Blue Bamboo and Ryu Murakami’s Sixty-Nine and Love & Pop.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Reflective honesty at its best
By Martina A. Nicolls
Japanese avant-garde artist, sculptor, and novelist Yayoi Kusama begins her memoir with the Yokohma 2001 International Triennale of Contemporary Art exhibition in which she showcased two installations. She then goes back in time to 1957 when she left Japan to further her career in art in America at the age of 27: ‘my destiny was decided’ in New York. After an initial struggle, she became a successful artist, noted for her ‘net’ art and later for her polka dots and ‘Kusama Happenings’ in the 1960s.
She painted the same thing every day: black canvases covered with nothing but nets, which looked like white lace. She describes her obsessive repetitive patterns and her ‘severe neurosis’ stemming from a ‘toxic childhood.’ She says that ‘before and after creating a work I fell ill, menaced by obsessions that crawl through my body.’ She suffered hallucinations, asthma, arrhythmia, tachycardia, and high and low blood pressure due to her severe anxieties. ‘If it were not for art, I would have killed myself a long time ago.’
Kusama’s autobiography describes her thoughts behind her artwork, how they developed, and why she focussed on specific themes. It provides readers with a full understanding behind her as an iconic figure and her iconic art. She is exceptionally honest and open about her mental anguish, but also about how she fully comprehends the triggers and how she deals with her demons – initially personally and later with the assistance of professional psychiatrists when she checked herself into a psychiatric hospital.
Writing her autobiography in 2001 at 72 years of age, she is now 87, living in the psychiatric hospital, and still painting.
This is a fascinating autobiography. This is more than a description of her artwork. It is an in-depth private view of her imagination and creativity, and the neuroses that drives her art as a way to exterminate her fears. ‘The positive and negative become one and consolidate my expression.’ She defines her work as Psychosomatic Art. Kusama finishes her autobiography in 2001 in a reflective, calm state of mind, content to continue her art – because she needs to, because she has to, because she wants to, and because it keeps her alive.
0 of 0 people found the following review helpful.
Captivating Story
By Todd Zen
Captivating story of a Japanese Artist who achieves World Recognition for her work while living in NYC. Her painful obsessive thoughts and hallucinations become the inspiration for Great Art.
0 of 1 people found the following review helpful.
A waste of money
By Ann
A waste of money. Her work is interesting but her autobiography is not. She basically just lists all of her achievements and toots her own horn. The book bored me and I quit reading it a quarter of the way through.
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